Symbols
can be found in almost anything; object, organism, action… When something has its
place in culture, it has the ability to develop elements of ambiguity, even
developing different meanings across different cultures. Barthes’ ‘Mythologies’
justifies this point to every extreme, his semiotic studies reveal that symbols
can be found in anything, depending on the context in which they are read,
from; a Wrestler’s appearance to a Roman’s fringe, Wine and Milk to The Brain
of Einstein. All of these examples have a literal meaning and further,
metaphorical, symbolic, semiotic meaning, potentially numerous meanings.
A Swan, for example, is a bird. A
swan has bones, feathers, eyes, webbed feet and so on; this is the physical and
literal meaning of the Swan, just like a ‘Stop Sign’ is metal plate and
tubing.
However, the combination of; a
Swan’s physical appearance and the way in which it is perceived in culture,
render the ‘Swan’ a symbol – representing a multitude of rhetoric
meanings.
A ‘Swan’s Song’ is a powerful
symbol of impending death, used as a metaphor for somebody’s last actions
before they die. Whilst the song itself exists literally as sound emitting from
the bird, it has strong symbolic meanings amongst many. I believe this
symbolism exists, also, as a result of the mythology that encapsulates the
‘Swan’s Song,’ both Socrates and Plato believed in such phenomena, yet, there
is no solid evidence to prove it’s existence.
Therefore, I believe that the
Swan possesses a multitude of characteristics that exist as symbols for
rhetoric meanings, due to the way in which we interpret these characteristics
in culture. I also feel that mythological
theories relating to the Swan’s actions and attributes enhance the level of
ambiguity and rhetoric that surround it.
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